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Ogre shrek movie#
The second Shrek movie opens with a honeymoon sequence that features Fiona dragging a facsimile of The Little Mermaid’s Ariel away from her spouse. The cover of the picture book from Disney’s Snow White (1937)īy the time Shrek 2 rolls around, Fiona has accepted her ogre self and firmly rejected the Disney princess paradigm. The picture book from the opening of Disney’s Sleeping Beauty (1959) The picture book from the opening of Disney’s Cinderella (1950) The picture book about Princess Fiona from Shrek (2001)
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She’s an ogre, and at the end of the movie, her true love’s kiss with Shrek forces her to face that truth. Fiona also has a curse that can only be broken by true love’s kiss - except her curse is that she isn’t a human woman at all. The rest of the movie follows similar beats similar to Snow White, Fiona’s beauty gets foretold by a magic mirror, and like Sleeping Beauty, Fiona has been trapped in a tall tower guarded by a fire-breathing dragon. Just like the opening of Snow White (1937), Cinderella (1950), and Sleeping Beauty (1959), Shrek begins with a slow zoom in on a picture book that provides some backstory about Fiona. Princess Fiona starts off wanting to lead a traditional princess life, except she’s not traditional at all rather, she’s been shamed and forced into hiding the untraditional parts of herself.Īlthough Fiona’s quest towards self-acceptance is also wrapped up in a lot of weird messages about “ugliness,” it was still radical at the time, especially when compared to the lessons that Disney had been dishing out previously.įrom its opening shot, Shrek established itself as an explicit Disney princess parody. By lampooning Disney princess movies, Dreamworks’ 2001 film Shrek created a princess with an impressively subversive storyline.